Monday, April 30, 2007

Habibi

I’m re-reading a favorite young adult novel of mine by reading it aloud to my almost ten-year-old daughter, Olivia. The book is Habibi by Naomi Shihab Nye.

From the book jacket:
The day after Liyana got her first real kiss, her life changed forever. Not because of the kiss, but because it was the day her father announced that the family was moving from St. Louis all the way to Palestine. Though her father grew up there, Liyana knows very little about her family’s Arab heritage. Her grandmother and the rest of her relatives who live in the West Bank are strangers, and speak a language she can’t understand. It isn’t until she meets Omer that her homesickness fades. But Omer is Jewish, and their friendship is silently forbidden in this land. How can they make their families understand? And how can Liyana ever learn to call this place home?

This book helps me imagine what life would be like in amazing and troubled Jerusalem. Helps me to see the stone walls of the old part of the city and introduces me to some of the foods. I want to stand under lemon trees, olive trees, and almond trees. I want to watch the old men and women in the market. I want to hear children playing in Arabic and Hebrew on the same block.

You can always tell when a poet is the author of a novel. That makes all the difference to me. “Every little light of New York City was a period at the end of a sentence” and “She opened her mouth and a siren came out” both caused me to pause as I was reading to Olivia.

1 comment:

Christine said...

One of my favorite poems by Naomi Shihab Nye:

Famous

The river is famous to the fish.

The loud voice is famous to silence,
Which knew it would inherit the earth
Before anybody said so.

The cat sleeping on the fence is famous to the birds/
Watching him from the birdhouse.

The tear is famous, briefly, to the cheek.

The idea you carry close to your bosom
Is famous to your bosom.

The boot is famous to the earth,
More famous than the dress shoe,
Which is famous only to floors.

The bent photograph is famous to the one who carries it/
And not at all famous to the one who is pictured.

I want to be famous to shuffling men
Who smile while crossing streets,
Sticky children in grocery lines,
Famous as the one who smiled back.

I want to be famous in the way a pulley is famous,
Or a buttonhole, not because it did anything spectacular,/
But because it never forgot what it could do.